Jill Hopke

Environmental Communication. Social Movements. Mobile Media.

Tag: digital storytelling

“Multimedia Storytelling in Journalism” Guest Lecture

Next week I am giving a guest presentation on “Multimedia Storytelling in Journalism.” Below are the slides for my presentation and links to the examples I use.


The examples can be accessed as follows:

The Homestretch trailer, Spargel Productions and Kartemquin Films
“How Ebola Roared Back,” The New York Times
“Here is the Average Student Debt Burden in Each State,” The Huffington Post
“Homeless Families,” WBEZ
“Ebola’s Patient Zero,” Frontline and The New York Times
“News Video on the Web,” Pew Research Journalism Project


The Homestretch documentary is screening in Chicago and at select venues nationally starting in January 2015, including:

Thursday, Jan 8, 2015 at 7:00pm
Chatham 14 Theaters
210 W 87th St.
Chicago, IL
Admission $6

See here for a full listing of upcoming screenings.

Research and the Art of Human (un)Predictability

Our behavior is predictable. We leave digital traces throughout the course of our daily (mediated) lives. So accepting the premise that human behavior is not random, the next set of questions is to understand what laws govern our actions. As Albert-László Barabási explores in Bursts: The Hidden Pattern Behind Everything We Do (2010), human behavior is governed by natural laws and through studying artifacts of digitality we “come to see the rhythms of life as evidence of a deeper order in human behavior” (p. 11).

Featured in Bursts, the case of art professor Hasan Elahi is old news by now but still worth revisiting given on-going debates over privacy and ownership of the data we share about ourselves daily (Facebook being the current headline maker). Following 9/11 he was tracked by the FBI and in an act of creative resistance he made his whereabouts freely available via the Internet. He raises questions of who owns our data? What gives it value? If we share “everything” does it become meaningless in the vast quantity of data?

We can learn from Elahi about how to find humor and art in the uncontrollable. My favorite excerpt is, when asked during a FBI polygraph if he belongs to any groups that want to harm the United States, he replies “I work in a university.”

Barabási raises the ethical issue of the role of research in understanding new information technologies, writing “Technology has outstripped our ability to use it responsibly, and I could not ignore the possibility that the fruits of our research would soon become part of some malicious Vast Machine-like enterprise” (p. 221). Do we take Elahi’s approach under the premise that information loses its value once it is freely available. What then are we “sharing” and via what platform? To me the difference between making one’s life into art and using a commercial social networking platform. Sure we are more connected but at what cost? And, do we have a choice to opt-out? I believe increasingly that we do not.

Then as researchers we have an obligation to understand the place of digitality in our mediated lives.

Bringing the Power of Stories to Science Education

Last Friday, March 16, 2012, I attended a workshop, “How Stories Teach,” on integrating cases studies into science education to internationalize curriculum, sponsored by the College of Agricultural and Life Sciences (CALS) International Programs office, along with the UW’s Division of Information Technology’s Engage program.

Coming from a background in radio, I am keenly aware of the power of storytelling and was interested in its application to teaching science. I was not disappointed in the least.

It is not an easy time to be an educator in Wisconsin, so it was reinvigorating to to hear about concrete examples of what passionate instructors in the sciences across campus are doing to make science accessible and heighten critical thinking skills in students. In her opening, CALS Dean Kathryn VandenBosch reminded attendees of our mandate to prepare students for the realities of the twenty-first century economy where they will need to work in internationalized and/or multicultural settings. The question is, how do we help our students move in these directions? VandenBosch’s answer, tell them stories and think about innovative teaching methods.
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